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Izidora l LETHE

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(UN)DONE DE/NEGOTIATING is conceived as vessel, a performance-based, object-producing,  (auto-)theoretical writing- and work-cycle that investigates the resistant potential of the des assimilating historically marginal body knowledge in movement.  

It aims at developing different textual vocabularies for deconstructing naturalized performative  notions of normativity through interventions grounded in embodied practices such as small  gestures, choreographed immediacies, repetitive unraveling of codes, de-accelerations, and  sensuality deriving from the body as locus of already existent knowledge. 

Through intertextuality in transdisciplinary research, the project is held within a container of  intervention, where verbal, drawn and gestural text are considered equally.  

During the PhD, I desire to approximate via textual and discursive somatopolitical fictions and  theories of selves (n. self) – in the Preciadoan sense[1] what Hélène Cixous postulated as  “écriture féminine[2]”, a writing from the body. Instead of inscribing the feminine in any naturalized  way, I engage with Cixous’ text and expand it with contemporary critical theories. The works are  ‘written’ from historically undervalued bodies and conducted vis-à-vis site-engaging historical,  embodied and theoretical research. 

Doing negotiation points to the performative act and underlines the labor involved in negotiating  history, social relations of sub/ordination and subalternity in relation to normativity – particularly, if  one’s subjectivity is marked outside of hegemonic personhood. Undoing negotiating is the active  decision not-to-negotiate. In this way, rest is thought of as a political and hence ‚active‘ act. 

With the often lacking ‘luxury’ of time, I want to allow a substantial part of my work to take the  space of conscious development of gesture, pose and intervention in groups using the form of  score and rehearsal as chances to develop methods for togetherness and gathering in movement  not bound to professionalized skill. This work imagines a temporary community, a way to hold and  be held in attending to one’s own somatic knowledges.  

Izidora l LETHE Songs to the Suns, Cabaret Voltaire at Monte Verità, TI 2021 – Photo: Diana Pfammatter – 3.jpg
[1] Preciado, Paul B. Testo junkie: sex, drugs, and biopolitics in the pharmacopornographic era, the Feminist Press, 2013.
[2] Cixous, Hélène, The Laugh of the Medusa, The University of Chicago Press, 1976.
[3] Ahmed, Sara, The Cultural Politics of Emotion, Edinburgh University Press, 2004.

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